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Named to "Writer's Digest 101 Best Websites," this #SharingwithWriters blog is a way to connect with my readers and fellow writers, a way to give the teaching genes that populate my DNA free rein. Please join the conversation using the very tiny "comment" link. For those interested in editing and grammar, go to http://thefrugaleditor.blogspot.com.
Showing posts with label recession. Show all posts
Showing posts with label recession. Show all posts

Friday, June 12, 2009

How Indie Authors, Publishers and Bookstores Could Lick the Recession by Partnering





(This blog features bookstores but most independent retailers could substitute the name of their own store every times the word "bookstore" appears. That's because their are authors who write on any subject imaginable and they are sure to find books that fit any store's product mix. These days the author of those books is more likely than ever to be a keen marketer, too.)

Retailing is in danger. Retailing of books is in greater danger still. We all know many bookstores have failed and many more are struggling. Independent bookstores are especially endangered.

Why then, are so many of these bookstores still adverse to utilizing the power behind their kin--that is the power of indie authors?

A new bookstore opened in my adopted hometown of LaCañada-Flintridge. Brave souls they are, for another small bookstore down the block had just closed out most of their books and reinvented itself into a café. Authors in the area were thinking, “Ahhhh, opportunity! Surely this indie will honor the needs of fellow indies!”

Those authors in my community were wrong. They have been turned away from that new bookstore in droves.

But let me digress. Because I am both author and retailer with some 30 years experience in the retail industry and ten plus in the publishing industry, I wish both bookstores and authors well and know that we are powerful if we work together. I cared enough to write a book that is now available on Amazon. It is A Retailer’s Guide to Frugal In-Store Promotions: How To Increase Profits and Spit in the Eyes of Economic Downturns with Thrifty Events and Sales Techniques. http://www.amazon.com/gp/product/1441467246/.

That indie authors were turned away on the basis of the press their books were printed on seems especially sad because the store is just one of many that seem to be operating on the theory that independent authors are all cut from the same fabric. Bookstores with this attitude are missing bets on two fronts.

The first, of course, is that they are missing out on good will in their communities. That is so important for any retailer, large or small, independent or chain. An unhappy author is an unhappy customer who tells other people why she is displeased. That is not good word-of-mouth. A happy author is quite the opposite and possibly more avidly positive because she has more at stake in praising the store and recommending its products.

The second opportunity they’re missing is the open door independent authors offer to profits.

Because small indie bookstores’ gross sales are anywhere from $200 to $1000 per weekday (and that upper figure is generous) they can easily increase their gross by tapping into the talent and energy of authors who live in their areas. By considering independent authors and authors published by small presses they increase their pool of possible money makers incrementally. If they harnessed this potential (particular authors who have the knowledge to promote well which readers of my Sharing with Writers newsletter and The Frugal Book Promoter do) they could up their annual gross profits by anywhere from 5% to 12% and that’s nothing to sniff at--especially if it will carry them through an economic downturn.

Here is the ammunition authors and publishers can use to convince bookstore owners that indie-published writers are profit-powerhouse:

1. If a bookstore had but one reading and signing event a week with an indie author and that author promoted (or the store gave them a handout telling them how to promote in exchange for being featured in an event), the free publicity that store would get would be worth the effort. Figured at about $50 a column inch for advertising space, a four inch article in the local paper is worth $200 alone and most events can bring more press publicity than that, some a lot more,and some may even get some TV coverage. An Armenian poet friend of mine did a signing and got coverage on our local cable TV station that caters to the poetry-loving Armenian community. The venue of the reading was, of course, featured prominently in the segment.

2. If the guest author sells 10 books at $12 with a 40% markup only to friends from their own contact list, that would raise that store's profits for the day by five to ten percent. If a bookstore sponsored readings, signings or workshops on slow weeknights 52 times a year and occasionally (for the authors who showed greater promotion promise) on the weekends, that profit could make an appreciable difference. Perhaps enough to keep the store kicking with energy through the recession.

3. If the store sets up an author-friendly program in which the store stocks five signed books for two weeks after the event and the author sends enough customers to the store to buy those books, the store promises to reorder, that’s like hiring a salesperson in the community--one that the store doesn’t pay a salary or commission.

4. If the store tracked some of the customers recommended to them by the local authors they partnered with they would find that many are people who have never been to their stores, may not even know their bookstore exists. Marketers estimate that it costs anywhere from $8 to $25 in promotion and advertising monies to attract one new customer. These new customers cost the store nothing because that author has already “earned” her event with points one through three.

Let’s factor the small publisher into this mix. What if every small publisher made certain that his author(s) know how to approach bookstores with the benefits of featuring him at a signing. Publishers could do that by gifting their authors with The Frugal Book Promoter or at least recommending it or other books on marketing like Janet Elaine Smith’s PromPaks or John Kremer’s 1001 Ways to Market a Book.

That publisher could even furnish his authors with templates for a query letters and media kits that would help convince bookstores that events--especially events that feature locals--are underused tools for profitability. Some bookstores like The Literary Bookpost in Salisbury, NC. have been using independent authors’ talent and enthusiasm to provide a community service to benefit their business successfully. There is no reason why--if we educated one another and supported one another--we couldn’t all benefit the same way.

Once the author has the information she needs to assure a successful signing and to sell her signing concept to a bookstore she:

1. Mails her query and media kit to the indie bookstore owner.
2. Drops by, introduces herself, and gives the bookseller a list of how her workshop or seminar can benefit him using information drawn from this article.
3. If the answer is still no, she drops by again with a list of what she will do to promote the event (parts of which would have been in her query letter). How many local people does she have on her contact list? Will she provide refreshments to guests? Does she have media contacts? She may even take the bookseller a copy of A Retailer’s Guide to Frugal In-Store Promotions. That’s an investment in the future--for the author, for the bookstore and for the community.

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Carolyn Howard-Johnson, author of This Is the Place; Harkening: A Collection of Stories Remembered; Tracings, a chapbook of poetry; and two how to books for writers, The Frugal Book Promoter: How To Do What Your Publisher Won't and The Frugal Editor: Put Your Best Book Forward to Avoid Humiliation and Ensure Success. Her FRUGAL book for retailers is A Retailer’s Guide to Frugal In-Store Promotions: How To Increase Profits and Spit in the Eyes of Economic Downturns with Thrifty Events and Sales Techniques. She is also the author of the Amazon Short, "The Great First Impression Book Proposal". Some of her other blogs are TheNewBookReview.blogspot.com, a blog where authors can recycle their favorite reviews. She also blogs at all things editing, grammar, formatting and more at The Frugal, Smart and Tuned-In Editor blog.

Wednesday, June 03, 2009

The State of The Industry: As Evidenced by Book Expo America

This is from my "In the News" feature in the coming edition of my Sharing with Writers newsletter. Those who would like to subscribe may do so automatically by going to http://www.howtodoitfrugally.com to fill in the subscribe box in the left column of the home page or clicking on the "newsletter" link at the top of the page for more information.

In the News: Evidence of recession abounded at BEA. Some big publishers like Random House cut way back on their booth space and two of my favorites, Farrar, Straus and Giroux and Houghton Mifflin Harcourt didn't show up at all. That the show was 21% smaller is disturbing, of course, but worse is that those publishers who did show up appeared to be cutting back on marketing funds even for blockbuster authors (evidenced by fewer signs and even fewer of the usual giveaways). Even reader copies were hard to come by.

Of course, publishers who buy/rent booths have been saying for a long time that there are few book buyers on the floor and fewer librarians, who historically are the people publishers want to reach.

So, the good news? The opportunities to reinvent publishing seem to be widening. POD is becoming more and more accepted (venerable publisher Perseus put together an anthology of first lines from show attendees' contributions and published it on demand in two days) and there was that great Espresso Book Machine we've been hearing about that will produce an entire (darn good) paperback in less than four minutes right in-store at the whim of the customer-reader.

And, oh yes. New York was gorgeous. They had celebrated Fleet Week only a few days before, had just started refurbishing Times Square, and the place was alight. Maybe residents can see they are in a depression but a visitor would never, never know.

(Some facts were gleaned from David Ulin's article in the LA Times's Calendar section on Monday, June 1.)


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Carolyn Howard-Johnson, author of This Is the Place; Harkening: A Collection of Stories Remembered; Tracings, a chapbook of poetry; and two how to books for writers, The Frugal Book Promoter: How To Do What Your Publisher Won't and The Frugal Editor: Put Your Best Book Forward to Avoid Humiliation and Ensure Success. Her FRUGAL book for retailers is A Retailer’s Guide to Frugal In-Store Promotions: How To Increase Profits and Spit in the Eyes of Economic Downturns with Thrifty Events and Sales Techniques. She is also the author of the Amazon Short, "The Great First Impression Book Proposal". Some of her other blogs are TheNewBookReview.blogspot.com, a blog where authors can recycle their favorite reviews. She also blogs at all things editing, grammar, formatting and more at The Frugal, Smart and Tuned-In Editor blog.

Thursday, March 05, 2009

Writers Everywhere! Fight the Recession! (By Going Back to the Basics)

Staying positive.

Sometimes it’s harder to do than at other times. Depression or recession. I think the economists got the nomenclature wrong but it really makes little difference. In either case, it’s been, yes, depressing for writers who want to sell their work, whether they’re freelancers, novelists or whatever. It really makes no difference. The publishing industry is in the pits.

To stay positive in a down market--whether we’re pitching a screenplay or shopping a book--we return to the tried and true values. You know them. And I have a couple of twists on them. Here’s a review:

~Too many rejection letters get discouraging so be even more assiduous with your research. Know your journals, publishers and agents and submit only to those who have expressed an interest in your genre or in a voice like yours. Also check to see what they have published in the last year. Don’t submit something just like it. They’ve been there and done that.

~Write a great query letter to go with what you submit. Learn how to do this straight from interviews with some of our nation’s best agents in The Frugal Editor (you’ll also find a list of those agents and their Web sites in the Appendix of that book). There are also templates in your Writer’s Market but do try to give your letter a little more voice or sparkle than their samples suggest. One of the agents I interviewed says she gets so many look-alike queries is “just plain creepy.”

~Tailor each query letter you send out to give it special appeal for that agent or editor or publisher.

~If you are interviewing, dress the part. Don’t go to the depths of your closet to find something suitable. It may not be. Even the cut of a jacket can change in a year. Treat yourself to a new one. You’ll feel cheerier.

~For gawd’s sake network (see last week’s newsletter). Twitter is a great place to do that--agents, publishers, freelancers, Web people--they’re all tweeting! All you need to do is gather the kinds of people around you who you can help and who can help you. Then stay in touch. Twitter makes that easy (Find me at www.twitter.com/frugalbookpromo). I’m running a regular tip series on agents, reviewers, and publishers who tweet.

~Remember that legitimate, heartfelt endorsements sell. Use them on your Web site, on your business cards, on your blogs, in your e-mail signatures, on your business stationery. You DO have business stationery (or a virtual letterhead), don't you?

~Don't stop promoting. This is NOT the time to let up on your exposure or your branding. Just use the most FRUGAL ways to do it.


Keep Writing, Promoting and Yes, Editing, Too!
Carolyn Howard-Johnson

PS: Speaking of recession, long time subscriber to my Sharing with Writers newsletter and writing friend Aaron Paul Lazar was just laid off from Kodak with more than 1,000 others. If you know of a virtual job that could utilize his considerable engineering and writing skills, please contact him at aaron.lazar@yahoo.com.

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Carolyn Howard-Johnson, author of This Is the Place; Harkening: A Collection of Stories Remembered; Tracings, a chapbook of poetry; and two how to books, The Frugal Book Promoter: How To Do What Your Publisher Won't and The Frugal Editor: Put Your Best Book Forward to Avoid Humiliation and Ensure Success. She is also the author of the Amazon Short, "The Great First Impression Book Proposal". Some of her other blogs are TheNewBookReview.blogspot.com, a blog where authors can recycle their favorite reviews. She also blogs at all things editing, grammar, formatting and more at The Frugal, Smart and Tuned-In Editor blog.

Thursday, December 25, 2008

A Good Recession Is a Terrible Thing to Waste--For Writers, Too!

I am out of commission for a few days. My friends are filling in with guest blogs. I thought the lead on this article by my friend and reviewer Jim Cox was a lesson in itself. And, then, of course, there are all those good tips!

ByJim Cox
Reprinted from his newsletter



An economic crisis is a terrible thing to waste.

The publishing industry is very much a part of and affected by our nation's national and regional economies. Both the publishing industry and the country are in an economic crisis. But this is a crisis which is also an opportunity. Here's some of my thoughts on the subject of how writers, publishers, and book reviewers can weather the current economic recession--one that I think will continue through 2009 and not abate until at least the spring of 2010.

1. Revisit your business plan--and if you don't have one written down and at your fingertips then you absolutely need to stop whatever you are doing right now and create one!! Carefully look through your business plan for ways to consolidate, cut back, switch to more economical alternatives, and acquire the information necessary to be more frugal in your expenditures overall.

2. Keep a daily written record of all of your expenses--no matter how trivial. You'd be amazed at how much money can be spent on 'autopilot' because we are so used to shelling out for this, that, or the other. By identifying what we spend our money on we can then make informed decisions about what to continue, what to modify, and what to cut out altogether those items of expense that are "nice but not necessary".

3. Pay attention to your working environment. That goes for everything from leaving unnecessary lights on, to leaving computers on when not in use, to failing to ask for competitive bids for such things as stationary print jobs, phone service, equipment repairs, etc.

4. Never drive when you can walk or bike to where you have to go to do what you have to do. My own example is that I was in the habit of driving 14 blocks to the post office to mail off publisher notification letters every day--when after speaking to my post-office delivery person (who delivers book mail to my place Monday through Saturday) I found that I could simply rubber band the letters together and leave them on top of the emptied mail sacks in our mail room and she would be happy to pick them up for me. So now the only time I make a trip to the post office is when it is combined with other errands that would take me past it anyhow.

5. Explore the possibilities of winning grants to subsidize your operations. There's a learning curve to master here, but the good news is that there are several excellent 'how to' books on the subject of grant writing, as well as some very good Grant Giving Directories of organizations that give literary and publishing related grants. You can obtain these instruction books and reference books for free from your local public library through their InterLibrary Loan Service.

6. Put time and sweat equity into mastering the learning curve associated with marketing. That includes on-line marketing, hand-selling, non-bookstore venues, publicity/promotion tactics and strategies, etc. Again, you don't have to re-invent the wheel. There is an abundance of 'how to' instruction books specific to making money through writing and publishing. Your free public library will prove to be your new best friend in this era of economic downturns and retrenched consumer spending.

7. Avail yourself of the publisher resources you will find on the Midwest Book Review website including the archive of:
A. reviews of 'how to' books for aspiring writers seeking publication at: http://www.midwestbookreview.com/bookbiz/wr_shlf1.htm

B. reviews of 'how to' marketing books for novice and experienced publishers alike: http://www.midwestbookreview.com/bookbiz/pub_shlf.htm

C. low-cost and no-cost publishing resources http://www.midwestbookreview.com/bookbiz/pub_res.htm

The most effective way for authors and publishers to survive this economic recession to is increase revenues while decreasing expenditures.

The present economic recession has gripped out country for the last year, and it is one which I think will take at least another twelve months before ending. The next twelve months of economic hard times will shake out the weak, the unprepared, the unobservant, and the unmotivated, leaving standing only those who were wise enough to know that it is by educating themselves in the techniques of corporate survival will their own particular entrepreneurial publishing venture succeed, whether they are a self-published author or an independent publisher of other people's work.

Jim Cox
Midwest Book Review
278 Orchard Drive, Oregon, WI, 53575
http://www.midwestbookreview.com

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Carolyn Howard-Johnson, author of This Is the Place; Harkening: A Collection of Stories Remembered; Tracings, a chapbook of poetry; and two how to books, The Frugal Book Promoter: How To Do What Your Publisher Won't and The Frugal Editor: Put Your Best Book Forward to Avoid Humiliation and Ensure Success. She is also the author of the Amazon Short, "The Great First Impression Book Proposal". Some of her other blogs are TheNewBookReview.blogspot.com, a blog where authors can recycle their favorite reviews. She also blogs at all things editing, grammar, formatting and more at The Frugal, Smart and Tuned-In Editor blog.

Sunday, June 08, 2008

A Quick BEA Report: My Take on A Changing Industry

Things in publishing are changing so these are the top NEW changes I saw this year, including one (the last one) that probably isn't new but that I hadn't noticed before.

1. BEA generally is not a good place to try to sell a book. Research publishers, yes. But most publishers have stopped sending their editors (at least when the event is on the West coast!). I was told that is because of the cutbacks in publishing, because of the recession and because of the slowdown in the publishing industry. Now one finds in the booths mostly publicity and marketing people. I have a theory that you'll see more editors when this tradeshow is in New York next year because a cross town trip on the subway will fit into strapped publishers' budgets.

2. Publishers -- even the big ones -- are starting to catch up to self- and subsidy-publishers. They're finally understanding the applications of Print-On-Demand.

3. The Net is more and more important in promoting a book. Especially videos. And social networking. And yes, some (not all) big publishers are starting to understand this, too!

4. Authors who attend tend not to know enough about what this show is for and what it does and often once they start to get it, they don't understand the importance of knowing everything we can about the entire publishing industry. Those of us who write and don't want our book sitting in a drawer need to know more than craft. We need to know the entire market. That's what a tradeshow like BEA does for us.

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Carolyn Howard-Johnson, author THIS IS THE PLACE; HARKENING: A COLLECTION OF STORIES REMEMBERED; TRACINGS, a chapbook of poetry; and two how to books, THE FRUGAL BOOK PROMOTER: HOW TO DO WHAT YOUR PUBLISHER WON'T; and THE FRUGAL EDITOR: PUT YOUR BEST BOOK FORWARD TO AVOID HUMILIATION AND ENSURE SUCCESS.
Her other blogs include TheNewBookReview.blogspot.com and AuthorsCoalition.blogspot.com, a blog that helps writers and publishers turn a ho-hum book fair booth into a sizzler.